Das Rheingold

I must admit that I never went to a Wagner Opera in my life.  I have read about Wagner in all my research about the War many times and I arrived at the point that I needed to see the opera.  The Met plans to stage the whole cycle over two years, and the first cycle, THE RHEINGOLD, was immediately sold out of course. And so we went to the movies to see and hear the opera, sitting in these very comfortable chairs in a 10plex where I normally do not go a lot. But to listen to the opera there is great, in addition to listening  to close up and behind the stage interviews and scenes with all these famous singers. What a performance it was, what budget it must have been. A 45 ton two-tower set dominates the staging consisting out of huge planks that move up and down. A stunning opening scene with the three Rhinemaidens who suspended by ropes swim around in mid-air, releasing columns of bubbles from their mouth and sing wonderfully. It all was a mesmerizing display of magic hearing and watching the gods struggle for the possession of the magic ring. The singers moved around in infrared light wearing bold and I would say a bit unattractive costumes. But the contrast between the super modern and sparse stage setting and the very very dated costumes was spellbinding by itself. You were never able to see the whole stage completely, an overview that I missed. On the other hand, there were all these great close ups focusing on the faces,  and you could virtually see the sound roll out of their mouth.

The conductor was James Levine who had just come back from a back surgery; Wotan was sung by Bryn Terfel who sometimes I think looked a bit lost. It was a tour de force for 3 1/2 nonstop hours and very exciting. I was impressed by Alberich, the dwarf who was sung by Eric Owen. Altogether it was the most impressive magnificent operatic piece I have ever attended! It's strange to know that THE RHEINGOLD was written last by Wagner, he went backwards here I have read somewhere. First the third cycle, then the second and then only the first. Who would have know that I cannot wait to see and hear the next cycle!

The Passport by Herta Müller

Herta Müller was the winner of the Nobel Prize for Literature in 2009. I had never heard of her and finally found one of her books in the library. Writing in German, she is a Romanian woman of German descent. In this book, The Passport, she writes about the stifling hopelessness of people living in a small village under Ceausescu's dictatorship. She writes in a sparse language, hauntingly beautiful; the sentences are just simple statements, they  are all short and factual and display the oppression suffered by the people.

I virtually forced myself to read this book very slowly, sentence by sentence, almost word by word, and then a surrealistic picture formed in my head. Light is thrown up here and there and illuminates the existing grayness and blackness. It is a very odd but beautiful and poetic reading experience about village life dominated by the wish to escape and to migrate. To achieve permission to do so and to obtain a passport, the villagers try many things, mostly under the cover of the night. The village miller tries to bribe the mayor by transporting flour sacks on his bicycle, and he fails;  the wives or daughters might be sent to the village officials and, yes, also to the local priest who takes fullest  advantage of the situation "trying to look for the missing birth certificates under the cover of the mattress of the iron bed." It is the horrors of totalitarianism told in the lone voice of village life in a forgotten region. The Passport is a very quiet book allowing the shaping of word pictures in your mind. Unforgettable.

Reading matters

Oh, all the places one goes to learn a few new things every day — the books, the newspapers, the magazines, the TV, the videos on the internet, or just talking to somebody or listening to the radio. Again and again one realizes how little one knows about the world,  There is so much time and still it's never seems enough to suck up the endless stream of information.

The in the UK published GRANTA comes out on a quarterly basis with stories, poems and photography by various authors from around the world who always provide a new point of view. They have a knack of finding fresh and interesting writers, and many of these writers who have appeared first in GRANTA are now well known here. The latest funky looking copy of GRANTA has just arrived on my doorsteps, and this time the issue  had a very different feel. As always it is completely devoted to one subject only, in this case it is PAKISTAN.  The cover was commissioned by a Karachi-based artist who normally paints trucks and other vehicles in wild beautiful colors. Once I saw a movie that took place in Pakistan and I noticed that all the trucks and trains were painted in these intense colors. The trucks for instance might be dilapidated, old, overloaded and appear dangerous to maneuver around, but they are attractively decorated. And so it is with the new November issue of Granta, the high gloss cover shows the biggest splash of colors. Every article brings Pakistan to life, the different regions, the different cultures (with a plural), the traditions and religions (although it is now mainly Islamic), the tribes, the wars, the leaders, the corruption, the castes. This country is filled with 200 million people speaking nearly sixty languages and brought into nationhood under the auspices of a single religion, Pakistan is divided  and destabilized with ongoing conflicts in Iran, Afghanistan and Kashmir.  It is a country of jihadists and anti-Americanism. All 18 stories are seen from varioust angles,  and almost all are written by men.  The authors either live in  the cities, in the country, on the coast, or they are Pakistani living in America, or England.  All the writers were new to me except one, Moshin Hamid whose book "A Reluctant Fundamentalist" I had just finished. All the  writing is fine and  a great mix of reportage, fiction, poetry, nostalgia. I could not stop reading the issue non-stop.

My favorite was the first piece, Leila in the Wilderness, a fable to me. A long piece about two star-crossed lovers, Leila and Qes, and it dramatizes the age-old prejudices toward the birth of girl babies and how this is still surviving in Pakistan. The shortest story in the collection was Mohsin Hamid's "A Beheading";  it was startling and made a strong point on how it is to try to live and work under a repressive intolerant regime. All stories are varied, and each is good. Arithmetic on the Frontier introduces the Pashtun machismo. They live in the North West Frontier where hospitality is inevitable to friend and foe, but tribesmen old and young all brandish their Kalashnikovs. They seem to be smiling and then the fire starts. Written by a Manchester Guardian correspondent who accompanies a civil servant, Jasmal Kawal, and his body guard through the country. The astonishing fact is that Jasmal is all, a lawyer and chieftain, a landlord and warlord. Murder and fighting are constant preoccupations in the Pashtun territories. Besides hospitality, the second requirement is to observe Pashtunvali, the honor code of conduct. Everything must be revenged and nothing is ever forgotten: a murdered relative, a philandering wife, or maybe just a casual insult, A profusion of blood feuds take place non-stop. It is a wild story and completely incomprehensible to my mind.

And so it goes on. How can the Western World lead by the US ever to intrude successfully in such a big muddle and change things that have not been changed for centuries? I quote a remark from the book by a man interviewed by the author in the story of The Trials of Faisal Shazad: "... If you train American-born guys, spend a lot of money teaching Arabic, the culture, the most they get, even after all that, is 30 per cent".

Tina Bausch Dancing Theater

Finally we made it again to the BAM — this beautiful old and handsome theater in Brooklyn, exciting and enchanting. As part of the New Wave Festival they performed Tina Bausch's VOLLMOND (FULL MOON). New Wave always promises to be exciting and spectacular, and this of course was no exception. Non-stop dancing steps were fueled by non-stop energy in a one piece program interrupted by an intermission.
The constant and brilliant footwork reminded me of our life as human beings with all our weaknesses, our strength and the absurdity of all of it. Non-stop we go. One is pinned to the seat and VOLLMOND triggered thoughts of the moon and its myth, its relationship to the tides and the waters and maybe also to our sometimes bizarre behavior during the time of a full moon. 
It was artistic and spellbinding; the stage scene was just a huge huge rock crossing over a river, a piece of water, real water and a lot! Nothing else. Dancers appeared mostly in pairs; the men were strong, silly, playful and the female dancers whirled around strong and feminine when they interacted with the men. They walked over the rock, danced on the rock, played with the water, swirled buckets with water around creating a symphony of water, and yes they all also swam in it. All was underlined with the most beautiful music, very haunting. Tiny little stories were acted out and made you laugh out loud at times. Spoken utterances consisted just of a word or a sentence: sometimes like a cry for help,  or a dry comment. One could not help smiling while listening to the profoundness of it all — or you could cry about the sadness. It seemed that everybody in the audience was spellbound, and a huge applause arose at the end. We all became alive again.
Tina Bausch died in 2009; this was her last creation, just finished before she was diagnosed with cancer and then she died nine days later.

Tomato time in Massachusetts

The summer is unraveling all at once. No kidding, it's over! Here is a short retrospective about our visit to Erik and Mary in Massachusetts — and perfect summer days. They had moved into this old huge farm house a couple of years ago, and it looks lovely but oh boy it must be cold there in winter. But in summer, oh summer, it has a picture book quality. When we went this time it was for lots of talking, beautiful eating and swimming in what they called a "swimming hole" deep in the woods, at a point where two rivers meet. One swims through rocks, the water is black but clean and cold. At least to me this was a high point — the whole quality about it. The posted pictures speak for themselves, and in the midst of winter I will look at them again! Looking forward to the next summer. Yes.

Missed the beach this year? Yes!

This summer has just zoomed by, zzzz...   Of course I am lucky I had the pool and I was able to swim a lot. But the ocean is different! Finally last week we made it to Jones Beach, after the Season it was,  a wonderful warm day on September 26. And even the water was still warm, no life guards to be seen, and there were some frolickers and swimmers. Yesterday just a week later it had turned seasonably colder and instead of going into NY we drove to Island Beach State Park,  located off the NJ coast, on a long sliver of an island (10 miles long). A spectacular place and in summer it is apparently drawing immense crowds of people  — a money maker for the State. 

Anyway when we went there yesterday  no people to seen, it was completely empty, and I walked on this never ending beach  along miles of sand dunes on this very rainy and stormy day. The waves were magnificent, the grayness beautiful and wherever you looked plants, thickets, bushes, flowers and and here and there an osprey colony's nest (empty now of course). This narrow barrier island stretches on and on and Henry Hudson sailed by on his Half Moon and first described the Jersey shore. I found also a large expanse of heather and grew very excited about it; but this heather blooms yellow in Spring for one week only (and is not of purple color blooming in August as it does in Northern Germany). The plants look a bit the same, but this is where the similarity ends except for their name. We call it Heide and the translation is Heather. 


I was able to pick a few milk weed pods with seeds which apparently entice Monarch butterflies to put there eggs on it. Will try to grow the milk weed on my terrace on the 21st floor in a pot and will find some Admiral larvae on the internet; and maybe, maybe i will have a colony of Monarch butterflies in the future. I thought they were all distinct since I never saw them anymore. Let's see. I hope I will not forget to do this all in Spring. Picked some Golden Rod plants with roots and will  grow these also in a pot outside. Learned that Monarchs like Golden Rods.  What a place. Will never forget it. 


Inched into the ocean, surprisingly not icy at all, but I was pitch wet up to my hips after a while, and it rained again. Driving back past rows and rows of boarded up summer houses we looked for an open restaurant, was not easy, and finally ended up at Crab's Law, recommended by a guy in a bar. What a memorable meal I had, Seafood Newburg perfectly cooked with Sherry, or whatever "spirit" belongs into it.  Was suddenly remembering that in Hamburg we would drink  a "Grog" on a cold day to warm you up and I asked them to make one for me (a shot of rum and hot water in a glass, skip the sugar) and it worked alright. My face is still burning today from all that wind and rain. 


The  pictures from the internet. My small camera broke and I did not dare take along the "real" camera. In reality, the beach was grayer and longer, more mysterious and one of a kind,  the sky was darker, wilder, more menacing. But still everything was endlessly beautiful.


These were great hours and I feel fully energized again. All it takes is an ocean.